{"id":9046,"date":"2024-04-09T11:48:48","date_gmt":"2024-04-09T11:48:48","guid":{"rendered":"https:\/\/www.fuoriprogramma.com\/?p=9046"},"modified":"2025-05-05T08:52:05","modified_gmt":"2025-05-05T08:52:05","slug":"laudiodescrizione-nella-danzain-dialogo-con-aristide-rontini","status":"publish","type":"post","link":"https:\/\/www.fuoriprogramma.com\/en\/laudiodescrizione-nella-danzain-dialogo-con-aristide-rontini\/","title":{"rendered":"L’AUDIODESCRIZIONE NELLA DANZA
talk with Aristide Rontini"},"content":{"rendered":"
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\"alexis_02\"<\/figure><\/a><\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPANEL MEETINGS<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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AUDIO DESCRIPTION IN DANCE<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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talk with Aristide Rontini<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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June 28, 6.00 p.m.
Parco Tor Tre Teste Alessandrino<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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During the show Alexis. 2.0<\/i>, its author Aristide Rontini dialogues with the blind and partially sighted audience to explain the techniques embraced in the performance, in order to make it accessible, also through a tactile exploration of the scene.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Aristide Rontini<\/h6>

is a performer, choreographer, and dance community practitioner. He graduated from Codarts \u2013 Rotterdam Dance Academy in 2010. He worked as a performer with Simona Bertozzi (It), Michela Lucenti \/ Balletto Civile (It), Candoco Dance Company (Uk), Alessandro Schiattarella \/ BewegGrund (Ch), Teatro Della Tosse (It), Angelica Liddell (Sp), Carl Olof Berg \/ Spinn (Sv), Vahan Badalyan (Armenia) and Diego Tortelli \/ Aterballetto (It). He has recently developed his own artistic research presenting the works \u201cIt moves me\u201d, \u201cGiovane Notturno\u201d, \u201cTalitha Kumi\u201d, \u201cAlexis\u201d and \u201cAlexis 2.0\u201d. His study poses questions on the scope of identity, on the relationship between the individual and the society, on the relationship between humans and the natural world. He\u2019s interested in choreographic language, multidisciplinary system, literature, and cinema. He\u2019s Danzeducatore\u00ae in educational and community dance. His artistic experience allows him to encounter communities of amateurs, to work on performances and projects aimed at the transmission of motion and body practices, at the development of specific themes through a language that is choreographic or hybridized. Depending on the projects, Rontini meets intergenerational groups or people with specific characteristics and age ranges, adopting methods that can be more or less participatory. He has been involved in various European projects aimed at supporting artists with disabilities and about the accessibility of art by deaf or blind people. Together with Italian disabled artists, in 2020 he founded Al. di. Qua. Artists, a group that is in the forefront of the protection of the rights and the autonomy of artists with disabilities in Italy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ALTRI INCONTRI<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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URBAN EXPLORATIONS
a cura di Roma Oltre Le Mura<\/a><\/h2><\/header>
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2 Luglio ore 18.30<\/p><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article>

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PRIMI TEMPI
Dialoghi<\/a><\/h2><\/header>
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29 Giugno | ore 21.30 Teatro India - Sala B<\/p><\/div>\n <\/div><\/div><\/div>\n <\/div>\n <\/article><\/div>\n

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June 28, 6.00 p.m.
\nParco Tor Tre Teste Alessandrino<\/p>","protected":false},"author":4,"featured_media":8454,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[35],"tags":[],"class_list":["post-9046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-incontri-2024"],"yoast_head":"\nL'AUDIODESCRIZIONE NELLA DANZAin dialogo con Aristide Rontini - 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