{"id":13295,"date":"2026-04-04T16:33:56","date_gmt":"2026-04-04T16:33:56","guid":{"rendered":"https:\/\/www.fuoriprogramma.com\/?p=13295"},"modified":"2026-04-17T14:13:26","modified_gmt":"2026-04-17T14:13:26","slug":"primi-tempi","status":"publish","type":"post","link":"https:\/\/www.fuoriprogramma.com\/en\/primi-tempi\/","title":{"rendered":"PRIMI TEMPI"},"content":{"rendered":"
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\"ingresso<\/figure><\/a><\/div>
\"lupo_mare\"<\/figure><\/a><\/div>
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PRIMI TEMPI<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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THREE STUDIO PROJECTS
TOGETHER WITH
DOMINIO PUBBLICO<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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28 JUNE \u2013 H 20:00
TEATRO INDIA – SALA B<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WORLD PREMIERE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Fuori Programma Festival\u2019s program and the Under-25 participatory artistic direction of Dominio Pubblico come together on the same stage to support emerging choreography: Ingresso Libero<\/em> by Alice D\u2019Urso, Lupo di mare<\/em> by <\/span>Emilia Quin\u0303ones<\/span>, <\/span>Muga<\/span><\/em> by <\/span>Francesco Paolino.
<\/span><\/span>Three distinct artistic visions, three poetics that tell us something about tomorrow, in a commitment to supporting the freshness of the new generations\u2019 artistic languages.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The most difficult choices are also the most honest ones. Let yourself be guided by your own instincts, not by someone else\u2019s thoughts. Moving forward does not mean forgetting the past or your roots, but rather strengthening and fortifying them. I wish you an ever-bluer sky and a helping hand to guide and accompany you along your journey.<\/p>


By and with: Alice D\u2019Urso
Text: Excerpt from the book \u201cNostalgia\u201d by Milan Kundera
Special thanks to Scenario Pubblico for their hospitality<\/p>


Alice D\u2019Urso<\/strong> grew up and trained in Catania through the MoDem Atelier program at \u201cScenario Pubblico\u201d (CRID). Her first creation, Ingresso Libero, comes to life in the spaces of the Center of National Interest for Dance directed by Roberto Zappal\u00e0, with its public premiere in May 2025.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Drawing on Giuseppe Ungaretti\u2019s striking image of the lupo di mare in \u201cAllegria di naufragi\u201d\u2014the survivor who immediately resumes their journey after the wreck\u2014the performance develops a physical exploration of resilience, endurance, and the act of continuing under extreme conditions. The open sea becomes a metaphor for states of radical uncertainty and transformation. \nAt its core is the body as a site of experience and inscription: How do crises manifest in movement? Where are the thresholds between stability and loss of control, between resistance and surrender? The choreographic work approaches these tensions as dynamic states that continuously reconfigure in the act of performing. \u201cAllegria di naufragi\u201d thus unfolds a layered, embodied reflection on survival\u2014as an ongoing process of locating oneself, losing ground, and moving forward.<\/p>


Concept, Choreography and Performance: Emilia Qui\u00f1ones
Sound design: Anouschka Trocker<\/p>


Emilia Quin\u0303ones<\/strong>was born in 2002 in Berlin, is a contemporary dancer working at the intersection of dance theatre, interdisciplinary performance, and collective practices. She trained at the Academy B\u00fchnenkunstschule Berlin and with the Motions Youth Company, and is currently completing her BA in Contemporary Dance at Danceworks Berlin. She has performed in various stage productions and, in 2023, was awarded at the Tanztreffen der Jugend with her collective Banditinnen for the work Alltagsmanifest. She currently teaches contemporary dance at HU Unisport.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Muga<\/em> is a choreographic meditation: an invitation to recognize that fertile void from which a more conscious form of existence can emerge. The term derives from Japanese philosophy and refers to a state of emptiness in which the self dissolves, freeing itself from attachments, expectations, and desires. The performance unfolds as the journey of two bodies trapped in a system that transforms existence into production, consumption, and performance\u2014perfectly synchronized cogs devoid of emotional depth. In a suspended, almost apocalyptic landscape, their movements repeat like mechanical rituals, until one of the two bodies loses precision and the system cracks. From this error emerge fragility, doubts, and awareness. It is the beginning of a process of awakening: a slow return to presence, to listening.<\/p>


Choreography & concept: Francesco Paolino
Assistant choreography: Rebecca Fabbri
Dancers: Tom Blanc & Francesco Paolino<\/p>


Francesco Paolino<\/strong> is a choreographer and dancer who trained at Codarts University of the Arts in Rotterdam. As a dancer, he has worked with internationally renowned choreographers, including Cayetano Soto, Wayne McGregor, Johan Inger, and Stephen Shropshire. In 2024, he won second prize at the Premio Roma Danza, receiving an invitation to create a piece for the young choreographers\u2019 evening at the Th\u00e9\u00e2tre National du Capitole de Toulouse, where he presented the duet Nothing Has Hurt Me More. His choreographies have also been presented at the Codarts Studio Evening with works such as Almost Human As I Was, Everything That Cannot Be Held, and Notes from Underground.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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